Instead we should speak of mind and body as "equal" and the same, both in their power of acting and in the order and connection of modes under the attributes of thinking and extension. Affects, actions passions chez Spinoza, recently translated into English by Tatiana Reznichenko, is a short book with a bold claim that: attributing a "parallelism" to Spinoza distorts his conception of the relation of mind and body. Artists create affects and percepts, “blocks of space-time”, whereas science works with functions, according to Deleuze, and philosophy creates concepts.Chantal Jaquet's L'unit é du corps et de l' esprit. L’affection (Spinoza’s affectio) is each such state considered as an encounter between the affected body and a second, affecting, body (with body taken in its broadest possible sense to include “mental” or ideal bodies).Īffects, according to Deleuze, are not simple affections, as they are independent from their subject. It is a prepersonal intensity corresponding to the passage from one experiential state of the body to another and implying an augmentation or diminution in that body’s capacity to act. L’affect (Spinoza’s affectus) is an ability to affect and be affected. Neither word denotes a personal feeling (sentiment in Deleuze and Guattari). In his notes on the terminology employed, the translator Brian Massumi gives the following definitions of the terms as used in the volume:ĪFFECT/AFFECTION. The terms “affect” and “affection” came to prominence in Gilles Deleuze and Félix Guattari’s A Thousand Plateaus, the second volume of Capitalism and Schizophrenia. REALER THAN REAL The Simulacrum According to Deleuze and Guattari, Brian Massumi The process of its production, its inner dynamism, is entirely different from that of its supposed model its resemblance to it is merely a surface effect, an illusion.11 The production and function of a photograph has no relation to that. The simulacrum, on the other hand, bears only an external and deceptive resemblance to a putative model. A copy, no matter how many times removed, authentic or fake, is defined by the presence or absence of internal, essential relations of resemblance to a model. The terms copy and model bind us to the world of representation and objective (re)production. In what special way we are receiving reality? And. The generalized digitality of the computerized society.” REALER THAN REAL The Simulacrum According to Deleuze and Guattari, Brian Massumi. Everything reduces to a molecular binarism. Objects are images, images are signs, signs are information, and information fits on a chip. It is because the code has been miniaturized. “Meaning is out of reach and out of sight, but not because it has receded into the distance. The word pattern can also be used as a verb form meaning “to model.” For example, your art might be patterned after the artwork of a famous artist. Your patterns of behavior might include your morning cup of coffee and exercise. The noun pattern could refer to a design or to customary behavior. You might find a pattern in a series of numbers, in the material covering your couch, or in the habits of your upstairs neighbor. Something that repeats in a predictable way is a pattern. With growth of social media networking sites one could create a mediality to others based on the user generated content they display and links they share to commercial content of personal interest thereby creating my mediality.įor example if one only consumes sports and local news media specific to a region then their opinions of things could be quite different than one who consumes only international news and genre specific entertainment, then these two individuals would have a differing “mediality”. A perceived reality influenced through media that one is exposed to.
0 Comments
Leave a Reply. |